Who Started the Great Fire of Rome?

Who Started the Great Fire of Rome?

Christians? Nero? The Weather?

Donor portrait of Anicia Juliana from illustrated codex

I’m currently working on a sequel to my 1C adventure novel Sword of the Gladiatrix which takes place in Rome leading up to and during the Great Fire. Lots of fascinating history to explore and share with my readers. Here’s the first installment:

On the night of July 18-19 AD 64, a fire started in a crowded shopping area surrounding the Roman Circus. It continued for six days, was temporarily halted, then rekindled for another three days. When it was finally quenched, Tacitus said in his Annals (Book XV, Chapter 38):

“It had its beginning in that part of the circus which adjoins the Palatine and Cælian hills, where, amid the shops containing inflammable wares, the conflagration both broke out and instantly became so fierce and so rapid from the wind that it seized in its grasp the entire length of the circus. For here there were no houses fenced in by solid masonry, or temples surrounded by walls, or any other obstacle to interpose delay. The blaze in its fury ran first through the level portions of the city, then rising to the hills, while it again devastated every place below them, it outstripped all preventive measures; so rapid was the mischief and so completely at its mercy the city, with those narrow winding passages and irregular streets, which characterised old Rome… Of Rome’s fourteen districts only four remained intact. Three were leveled to the ground. The other seven were reduced to a few scorched and mangled ruins.”

An official government investigation at the time blamed the fire on the break-away sect of Jews known as Christians. The evidence included the main teachings of their leaders (that the end times were near) and the fact that gangs (likely looters or people fleeing the flames) hampered the firefighting efforts of the vigiles (Roman firefighters). Radical Christians reportedly set the fire in order to hasten Christ’s return. As the adjudicated culprits, the Roman government cracked down on the sect and hundreds of Christians were executed in brutal ways in the aftermath of the fire. No concrete evidence has come to light supporting the official finding.  As a result of his cruel crackdown, Nero has gone down in Christian history as one of their first great persecutors.

Later writers and historians blamed Nero for the fire, supposedly because he wanted to build an extensive mansion in the lower areas where the poorer Romans lived. The evidence included reports that armed men set fires and pulled down buildings saying they were “under orders” (likely the vigiles creating fire breaks), the rumor that Nero sang about the burning of Troy while he watched the flames engulf Rome (he was 36 miles away), and the fact that Nero did build his “Golden House” on some land cleared by the fire. When Nero returned to Rome, after the fire had persisted for several days, Tacitus reported (Book XV, Chapter 39):

“However, to relieve the people, driven out homeless as they were, he threw open to them the Campus Martius and the public buildings of Agrippa, and even his own gardens, and raised temporary structures to receive the destitute multitude. Supplies of food were brought up from Ostia and the neighbouring towns, and the price of corn was reduced to three sesterces a peck. These acts, though popular, produced no effect, since a rumour had gone forth everywhere that, at the very time when the city was in flames, the emperor appeared on a private stage and sang of the destruction of Troy, comparing present misfortunes with the calamities of antiquity.”

So who did start the Great Fire? Some few in the Christian community “confessed” under torture, implicating their whole community, but most historians dismiss this tainted testimony. In the aftermath of the fire, Nero cared for his suffering people and implemented new building rules and regulations to make sure no fires like the Great Fire would devastate Rome again. In spite of these good works, rumors persisted that he started the fire. It could be that Nero was a victim of political enemies.

Modern historians generally agree with Tacitus that it was a combination of the fierce winds and unlucky circumstances—the vigiles were leaderless and on the wrong side of the Tiber, hampered by fleeing citizens. Without a time machine we’ll never know, but Occam’s Razor points to the weather. We’re experiencing our own fires raging across forests and cities fanned by sirocco winds. It’s not so difficult to imagine the same in Rome.

(Image: The Fire of Rome, 18 July 64 AD by Hubert Robert; available in the public domain)

A Day at the Pompeii Arena

A Day at the Pompeii Arena

A Day at the Pompeii Arena

gladiator mosaicIt’s a sunny day in Pompeii on April 8th in this first year of the reign of Imperator Titus Caesar Vespasianus Augustus (AD 79). The crowds surge toward the amphitheater for the games given by D. Lucretius Stater Valens, a lifelong priest to the cult of the deified Nero Caesar Augustus. The placards pasted on the walls in the forum promise, “ten pairs of gladiators owned by his son D. Lucretius Valens and wild animal hunts, as permitted by law. The seats will be shaded with awnings.” Pompeii’s is the oldest stone amphitheater in the empire. For one hundred-fifty years it has proudly hosted games and religious festivals, but it’s looking dated next to the modern Flavian Amphitheater which will open next year in Rome. The frescoes of gladiatorial combat and beast hunts decorating the walls surrounding the sand are fading, but the patrons come for the blood sports, not the art.

The spectators pass into the open spaces surrounding the arena where merchants and food vendors hawk their wares. The scent of fresh bread, roasted meats, and sour wine waft through the crowd to mingle with the odor of sweat and hair pomade. People look at their wooden tickets and enter the appropriate gate to spread throughout the amphitheater: the front rows reserved for the leading citizens; the middle for the lesser knights and merchants; and the top for the poor, slaves, and women. Some resent the class divisions at the arena. At the chariot races in the hippodrome, it’s open seating (except for the emperor, of course!) and women mix with the men. (more…)

Busting Gladiator Myths

Busting Gladiator Myths

Busting Gladiator Myths

Before I researched my novel, Sword of the Gladiatrix, I got most of my ideas and impressions of gladiators from the media: Russell Crowe in Gladiator and (for those of us of a certain age) Kirk Douglas in Spartacus. More recently Starz had a fantastic (in more ways than one) show that ran for three seasons titled Spartacus: War of the Damned. All of these shows perpetuate some gladiator myths that I hope to bust wide open in this post. They also got a couple of things right, which I’ll point out.

Myth #1:

All gladiators were men.

female-gladiator-statue

Bronze statue of a gladiatrix

Most were, but not all. Here I’ll give Gladiator a weak thumbs up—they had women in chariots fighting against a group of men in a re-enactment of a classic battle in an arena scene, but other than that, women gladiators don’t show up in most visual media. It’s left to us lowly writers to correct the balance. If you look closely, women in the arena show up in art, literature, and law.

Sword of the Gladiatrix was inspired by a particular stone carving of two female gladiators in the British Museum. More recently, archaeologists have uncovered a bronze statue of a gladiatrix holding a sica—a curved sword. Tacitus, Suetonius, Dio, Martial, and Juvenal all write about female gladiators—usually (except for Martial) with some element of dismay or sarcasm. An organizer in Ostia brags on his tombstone that he was the first person to put women in the arena as fighters. My favorite evidence is in the law: The first Roman Emperor Augustus forbade recruiting noble and free women as gladiators. Nearly two hundred years later, Emperor Septimus Severus banned single combat by women in the arena. If women weren’t being recruited and fighting, why have a ban? Human nature being what it is, these prohibitions probably made the fights all the more popular because they were illegal. I’m sure female gladiatorial contests continued for some time. (more…)

Women Gladiators? Really?

Women Gladiators? Really?

Women Gladiators? Really?

Sword of the Gladiatrix coverYes, really! Whenever I pitched Sword of the Gladiatrix as my “lesbian gladiator novel,” I encountered raised eyebrows and skeptical snorts. The first question everyone asked: “Were there really lesbian gladiators?” My answer: “Of course!” We know there were female gladiators fighting in arenas for several centuries. Some had to be lesbian or tribades as the Romans would call them.

What really surprised people was the fact of female gladiators. They rarely appear in popular culture. Despite the popularity of Xena Warrior Princess and the myths of the Amazons, female gladiators don’t come to mind in the media-soaked imaginings of brutal, bloody, gladiatorial games. Women warriors? Maybe. Women gladiators? No. Yet they are there in grave markers, classical literature, laws, and art. All you have to do is look. (more…)

A Day at the Pompeii Arena

Food in the First Century Roman Empire

Food in the First Century Roman Empire

Sword of the Gladiatrix coverPrism Book Alliance pitched me the guest post topic: “If your character could only eat ten foods for the rest of her life, what would they be and why?” I was initially stumped then delighted. Historical fiction writers are notorious for their collections of arcana regarding food, clothing, religious practices, architecture, social mores, herb lore, etc. Using such details in our narratives is one of the ways we transport our readers to another time and place. My novel, Sword of the Gladiatrix, takes place in the first century and features two women from the far ends of the Roman Empire: Afra, a huntress from the Kingdom of Kush, and Cinnia, a warrior-bard of the rebellious Iceni tribe in Roman Britain. Both have very different cultures and diets compared to the Romans who enslave them, so let’s time travel! (more…)

How I Die a Dozen Deaths

How I Die a Dozen Deaths

How I Die a Dozen Deaths

“How do you think you would do in a battle arena?”

When I got this suggested topic, I thought to myself, “Great! Shortest blog post ever—I die!” Then I thought about it and realized there are a few—very few—situations where I might survive. After all I have my protagonist in Sword of the Gladiatrix survive a beast hunt with broken ribs and sprained ankle (more on that later). First some stipulations:

  • “Me” is me in my prime when I could play multiple games of tennis, ride my bike for hours, and did weight training three times a week; not the aging, out-of-shape, couch potato I am now.
  • I have training for whatever fighting style I’m engaging in.
  • The fight would take place at a regional Roman arena (at Pompeii or Nuceria for example), not one of the imperial extravaganzas where the object is to kill as many people and animals as possible.

A little history:

Gladiator shows or munera evolved out of a Roman religious ritual where slaves were forced to fight to the death at a funeral to honor the dead. By the first century they became part of larger multi-day religious celebrations (political theater) usually sponsored by local magistrates and might include plays, music, chariot racing, and other entertainments. By AD 354 gladiator fights declined to just 10 days out of 176 set aside for spectacles of various kinds in Rome. (more…)