Theodosian Women #1
“…the book is an addictive, fun, fast read. Justice chooses her key moments wisely, weaving a decades-long narrative about Placidia’s layered life as she rises to eventual leadership.”
Theodosian Women #2
"I loved the cinematic writing and focused scenes...fast-paced and engaging, one of those novels that will keep fans of historical novels reading through the night."
—Readers' Favorite (5-stars)
Sword of the Gladiatrix
“Readers will care very much about both these women—fans of Roman historical fiction should not miss this title."
— The Historical Novel Society
Selene of Alexandria
“Readers will be captivated. Fans of Gillian Bradshaw’s classic The Beacon at Alexandria may especially enjoy Selene and find a promising new historical novelist who shares the same gift for wonderfully researched, vividly evoked, good old-fashioned storytelling.”
—The Historical Novel Society
Do you want to start a writer’s group?
Do historical research for an article?
Avoid tired science fiction clichés?
Check out my articles below. Want to hear from the horse’s mouth how to structure a creative day, revise a manuscript or market a book? I’ve interviewed a number of best-selling authors including Ursula K. Le Guin, Karen Armstrong and Anita Diamant. For the first time, I’m making all interview material available here. Questions? Feel free to leave me a comment.
First up: thanks to Tony for inviting me to guest post on The Writing Desk. Writing Sword of the Gladiatrix was a challenge and I appreciate the opportunity to share my journey. Second: you have to know a little about me to understand why this book was so difficult (at first) to write. I’m not a “must write or die” kind of person. I’ve been perfectly happy with a number of day jobs that paid quite well, thank you, and didn’t need to take on the mantel of starving artist. What I do have is a drive to share my passionate love of history through stories. Most people hate history, and rightly so, given how it’s taught in public schools: dull facts, lists of dates, wars and pestilence, and the stories of elites (mostly white men). I want to make history accessible to anyone who enjoys a good story and spotlight some little known people along the way. (Read more.)
© 2015 guest blog post for The Writing Desk
Writing Characters Authentic to Their Times
Readers of this blog know I like to highlight fiction and non-fiction that present capable women with strong personalities. I read a post in a forum recently that intrigued me. The person was looking for historical fiction recommendations, but “none of those anachronistic modern women dressed up in historical costumes crap.” I don’t think s/he was disparaging time travel fiction and, yes, I’ve read a few stories where the women seem to have more modern sensibilities than might be warranted. But not all strong females in historical fiction are anachronistic. I’ve read other blog posts by historical fiction writers deploring recent criticism about strong women described by readers as “too modern” in spite of ample historical evidence that women did and thought as the writers wrote them. Where does the dissonance come from? Why would a reader think a woman couldn’t be a doctor in Late Antiquity, captain a whaling ship, or teach men to fly planes during WWII — all documented events? (Read more)
©2013 blog post
Working with a Critique Group
You’re a neophyte (or as yet undiscovered) writer and going stir crazy in your quiet corner. The only people to read your stories are the hard-hearted editors who send you form rejects. With no feedback, you’re not even sure they’re people much less that they’ve read your stories. You can’t show your stuff to your mother (too much gore/sex) or your significant other (too much insight into your twisted soul) or—God forbid—your children (“Ah, man, why can’t you be a normal mom?”) What are you going to do? Read another book on writing? Hire that critiquing service from the back of a matchbook? How are you going to improve? (Read more.)
© 2005 appeared in award-winning anthology Circles in the Hair
You want to write a story—a bodice ripper set in the pirate-ridden Caribbean or a murder mystery in a New Jersey inn during the American Revolution or maybe a vampire tale set in medieval Europe. You know the plot and your characters intimately. You’re typing away on the seduction scene when you realize the handsome hero probably doesn’t unzip his pants before ravishing the breathless heroine. But does he unbutton, unbuckle, untie, unwrap? Of course, you could finesse with a sentence like, “He dropped his garments onto the floor.” But it won’t be long before your readers get impatient with generalities, because the devil is in the historical details. (Read more.)
© 2006 an update of an article that appeared in Byline.
I grew up watching Star Trek (TOS) and graduated with Star Wars. As much as I enjoyed these media blockbusters and their multitudinous spin-offs, they left an unfortunate legacy in my psyche. When I write science fiction my mind is flooded with romantic images of faster-than-light spaceships, light sabers and “beam me up Scotty!” My imagination, imprinted as a child, tends to go for the fantasy elements of space opera rather than the realistic extrapolations of known science. There’s nothing inherently wrong with space opera, but when I want to write space stories with a touch of reality, I have to abandon my roots and look elsewhere for inspiration. (Read more.)
© 2001 appeared in The Writer.
“We’ll soon be capable of creating a simple virus. Within fifteen years of completing the Human Genome Project we’ll create life – cellular life.” The stuff of science fiction? Yes, but also an assessment of the current state of biology by Dr. Charles Sheffield. The award-winning author of over forty novels, non-fiction books, and story collections straddles the worlds of science and science fiction with ease. Looming large in each, Sheffield has served as past-President of both the American Astronautical Society and the Science Fiction Writers of America (organizing the latter he likens to “herding cats.”)
In his newest non-fiction venture Borderlands of Science: How to Think Like a Scientist (and Write Science Fiction) published by Baen, Sheffield combines the roles of scientist and fiction writer. The book surveys the current state of physics, chemistry, and biology and how they can be applied to such favorite science fiction topics as the beginning and ending of the universe, space flight and colonization, alien biology, computer and robot design, cloning, immortality, and future war among others. (Read more.)
© 2000 appeared at iUniverse.com.