by Kate Quinn
“The Huntress tells the story of three people in search of answers: Nina Markova, an ace Russian fighter pilot, is one of Stalin’s infamous Night Witches, the first band of women ever allowed to fly bomber runs during a war. Ian Graham, a former journalist turned Nazi hunter, is struggling to rid postwar Europe of the Nazis who escaped retribution. And Jordan McBride is a teenager whose life in Boston takes an interesting turn when her new stepmother arrives with a war’s worth of secrets. All three of their lives are touched by a Nazi assassin known as “The Huntress.” Their search for her and for answers will lead them to each other and, ultimately, toward more danger than they ever could have expected.”
I have yet to read a Kate Quinn novel I didn’t like. She has a sure touch for developing relatable characters and putting them into exciting situations. Quinn’s skill pulls the reader from page to page and ensures reluctance to put the book down. The Huntress delivers that magic in this tale of Nazi hunters in post-WWII.
The “present” story-line is mostly told from British former war correspondent Ian Graham’s point of view, covering a seven month period from April to October 1950. Deeply damaged by his experiences in the war and coverage of the Nuremberg trials, Ian gives up journalism to become a Nazi hunter. His partner is an American ex-GI (and one-quarter Jew) Tony Rodomovsky, who spent the war as an interpreter and has something to prove. He uses his charm and language skills to great effect. They are joined in their search for a Nazi known as the Huntress by Graham’s war bride Nina Markova—the only known person who had faced the murderer and still lived. (more…)
Priestess of Ishana
by Judith Starkston
“A malignant curse from the Underworld threatens Tesha’s city with fiery devastation. The young priestess of Ishana, goddess of love and war, must overcome this demonic darkness. Charred remains of an enemy of the Hitolian Empire reveal both treason and evil magic. Into this crisis, King Hattu, the younger brother of the Great King, arrives to make offerings to the goddess Ishana, but he conceals his true mission in the city. As a connection sparks between King Hattu and Tesha, the Grand Votary accuses Hattu of murderous sorcery and jails him under penalty of death. Isolated in prison, Hattu’s only hope lies in Tesha to uncover the conspiracy against him. Unfortunately, the Grand Votary is Tesha’s father, a rash, unyielding man, and now her worst enemy. To help Hattu, she must risk destroying her own father.”
As readers of this blog know, I have a preference for stories about little-known historical women. I think women have been systematically erased from history over time and it takes a lot of effort to uncover their stories and restore them to their proper place. But let’s face it. Sifting through academic papers and archaeological reports is way beyond what most busy people will sign up for. That’s where the historical novelist comes in. We do the hard work and the public reaps the reward: an exciting story, an introduction to a different culture, and (maybe) some new insight into history and the people who make it. Judith Starkston delivers on all those promises. (more…)
by Margaret Atwood
Felix is at the top of his game as Artistic Director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he’s staging a Tempest like no other: not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge. After twelve years, revenge finally arrives in the shape of a theatre course at a nearby prison. Here, Felix and his inmate actors will put on his Tempest and snare the traitors who destroyed him. It’s magic! Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own.
I love Margaret Atwood and have read nearly everything she’s written. She’s experiencing a renaissance now because of the Hulu award-winning TV series based on her 1986 dystopian novel The Handmaid’s Tale.If you’ve wondered way some women have been showing up in full-length red gowns and white bonnets to protest legislation limiting a women’s right choose or other restrictive laws—this book/show is why. If you haven’t read the book—you should. But I digress…
Hag Seed (a reference to the “monster” Caliban) did not disappoint. The publisher, Hogarth Books, is putting out a series of novels by famous authors retelling Shakespeare’s plays. I’ve read two others in the series and this one is my favorite—so far. Atwood drew “The Tempest” and gave us a workman-like effort with touches of whimsy. She employs the “play within a play” trope where the main character Felix/Prospero is teaching and directing “The Tempest” in a prison literacy program, while simultaneously living out the plot of the play. (more…)
by Octavia Butler
“Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.”
Originally published in 1979, Kindred is a brilliant exploration of “the peculiar institution” of slavery. In this historical fantasy, Dana, a twentieth century black woman, is ripped from her time and deposited on a 1820’s Maryland plantation to save a young white boy named Rufus from drowning. When threatened by the boy’s father, she snaps back to her own time, wet and muddy from the river, to the astonishment of her husband who saw her disappear before his eyes only seconds before. This is the first in a series of time displacements that occur whenever Rufus is threatened by death and snaps her back when her own life is threatened. The time elapsed includes only a few months of Dana’s modern time, but years in her life with Rufus (as a boy and later as a young man) and the slaves on his plantation. (more…)
The Confessions of Young Nero
by Margaret George
“While Nero idealizes the artistic and athletic principles of Greece, his very survival rests on his ability to navigate the sea of vipers that is Rome. The most lethal of all is his own mother, a cold-blooded woman whose singular goal is to control the empire…Nero’s determination to escape her thrall will shape him into the man he was fated to become—an Emperor who became legendary. With impeccable research and captivating prose, The Confessions of Young Nero is the story of a boy’s ruthless ascension to the throne. Detailing his journey from innocent youth to infamous ruler, it is an epic tale of the lengths to which man will go in the ultimate quest for power and survival.”
Because Nero is a minor character in one of my books (Sword of the Gladiatrix) and plays a more impactful role in the upcoming sequel (Song of the Gladiatrix), I was curious to see how George would handle this fascinating and controversial figure. The Confessions of Young Nero is set in the period considered by some historians to be Nero’s “sane” period (even though it included his infamous murder of his mother). His early life, especially under the influence of the philosopher Seneca and other older mentors, showed much promise. As he grew older and more independent, his choice of companions grew more reckless and his actions less excusable. (more…)
by Gordon Linzner
“Imprisoned for thousands of years in the hilt of a ceremonial sword, the oni, a hideous Japanese demon, is accidentally released to wreak the havoc of its pent-up fury on an unsuspecting world. All-powerful, immortal, and possessed of an unquenchable lust for human blood, the demon seems invincible, leaving in its wake an increasing number of horribly mutilated bodies.
Only one woman has learned the oni’s history and the key to its destruction. But will she be able to pit her puny human strength against the demon’s murderous powers before she becomes yet another victim?”
It’s been a long time since I’ve reviewed a horror story—although that’s how I started my writing career. The Oni is just the kind of horror story I enjoy: gritty realism meets ancient evil—The Mummy kind of story. There are tons of setting and period details in both the modern and ancient Japan strands of the story, interesting and diverse characters, and a truly terrifying monster. Linzner writes this horror/fantasy like a tight police procedural: not a lot of fancy language, but with plenty of nail-biting tension and character insight. There are even some lighter moments as the evil oni tries to apply his ancient cultural biases to 1982 Manhattan. (more…)